I think it’s time for a positive blog post – my last was pessimistic in the extreme. And, after all, I have something upbeat to write about.
This weekend, I attended the SCBWI (Society of Children’s Book Writers and Illustrators) conference in Winchester. This year’s theme: Cracking Characters.
This was significant for two reasons: first, I was returning the county where I grew up; second, this was my initiation into the world of SCBWI conferences. Here’s the good news (I said this post would be upbeat)…I’ll be going again next year.
For anyone with even the faintest sense of fairness and equality, the past months have been a shock. Along with so many others, I’ve found it hard not to allow myself to be dragged down into the morass of gloom and hopelessness left behind like a dark, sticky slug’s trail by the year’s events. I think I’d stopped trying to get unstuck.
And then came Winchester.
From the moment conference started I felt a resurgent sense of purpose. The opening remarks set the tone for me; referencing the doom that is 2016, we were reminded that as writers, we have a role to play in forcing light into the dark. He Who Must Not Be Named need not succeed…we can all defeat the menace, one scribble at a time. And with that, I felt the weight of our collective annus horriblis lift ever so slightly.
And it continued to rise throughout the weekend. David Almond couldn’t help but inspire with his instinctive joy and enthusiasm for writing for children. And if learning that he can make sense of the apparent chaos of his notebook – turning it into award-winning, vital stories – doesn’t fill you with optimism, nothing will!
Volunteering on the merchandise stall at lunchtime was always going to give me a boost, in the way that volunteering does. As the wickedly loveable muppet puppets of Avenue Q sing…”when you help others, you can’t help helping yourself”.
(Please enjoy this musical interlude)
Plus, I got to resurrect my link-selling skills from my short-lived retail days at Body Shop…turning, “Would you like some conditioner to go with your hemp shampoo?” into “Why not buy a soft, cotton tote bag to wrap your SCBWI mug in?”. I particularly excelled when a fellow delegate asked if I had a pen he could use to fill in his raffle tickets. “Certainly,” I replied, “how about these lovely SCBWI pens? Just £1.50 each”.
Then came the moment which gave me the biggest lift of all. The ‘Hook’. I’d entered this “pitch your book to a panel of agents” event for the same reason I’d offered to volunteer and for the same reason I’d decided to go to conference at all: Why Not? I realised that I’d have nothing to lose…in fact, in this event, win or lose, the finalists’ pitches would all be heard by the agents and any one else in the audience. Yes, I was nervous (very); yes, I doubted myself (more than once); and yes, it was hard work preparing for (hours spent going over the pitch and recording myself).
It paid off and I won the event. My prize: a meeting with the agent of my choice from the panel. I chose Thérèse Coen, from Madeleine Milburn Literary Agency.
She now gets to read my whole manuscript before we meet. This is such a huge opportunity, I can’t thank the organisers enough. And I couldn’t be more pleased with myself that I went for it. The sense of camaraderie between the five of us during, and after, the event, only added to the growing lightness of heart.
Why did I put myself through this? Because, at the end of the day, I often put my heroes in a position where they have to choose whether to go for something, even if it’s terrifying, in order to advance or survive or save someone. Some role model I’d be to my characters if I didn’t do the same myself.
I suffered a slight dip on Sunday morning…well…people would keep buying me drinks the night before…but surged back after Sarah Davies (of The Greenhouse Literary Agency) delivered her keynote. Despite hearing how many millions (ok, thousands) of submissions she receives every year, I still came away feeling optimistic about my own writing and chances. Concept and craft are her focal points in a good manuscript…and give every writer something to aim for. Create a great concept, then write it well. It sounds simple, and I know it isn’t, because otherwise I’d be delivering a lecture to writers rather than sitting in the audience hanging off every word…but I’m determined to get both right.
Finally, the good folk at SCBWI British Isles weren’t going to let us get away without some good old-fashioned, blood, sweat and ink-stained fingers. Cliff McNish offered the chance to get our heroes shining and our villains sweating with a double dose of expertise. These were great sessions to end the conference and I was thrilled to have a light bulb moment when I realised I should turn one of my characters from parent to villain.
The sense of community I found at the conference was one of the most important aspects. I’d already had a sense of this from my home network in Scotland, and they helped make sure I made the best of my time at conference.
And the wider community of SCBWI wrapped me in an even bigger embrace.
However, it’s the feeling of empowerment with which I left Winchester that most surprised me. To know that I haven’t been wasting my time with writing and that it can be appreciated…that’s empowering. To have learnt new skills and made important plot and character decisions…that’s empowering. To know that I’m part of a huge community of supportive and talented writers and illustrators…that’s empowering. And to know that my writing, all of our writing, might let some of the light back in…that really is empowering.
Over to you Leonard…